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Tina Knowles Lawson stuns at starry Beverly Hills gala. Famous names flocked to The Beverly Hilton Hotel on Friday night and hit the red carpet at the 1. Annual Harold & Carole Pump Foundation Gala. Watch Earth S Mightiest Heroes Season 2 Episode 23 more. Tina Knowles Lawson, mother of Beyonce and Solange, was a showstopper at the star- studded affair, having slid into a tight, patterned green and purple dress. The full- sleeved number complemented the gleaming necklace and multicolored clutch the 6. Scroll down for video Aglow: Famous names including Tina Knowles Lawson flocked to The Beverly Hilton Hotel on Friday night and hit the red carpet at the 1.

Annual Harold & Carole Pump Foundation Gala. She posed on the red carpet both alone and with her husband of two years, the 7.

Richard Lawson, who'd slipped into a silver suit and white dress shirt. The couple also leaned in toward each other, smiling for the cameras, once they'd found their way to their table in the event and settled into chairs next to each other. Phone in hand, Jamie Foxx was photographed treading the carpet in a navy suit buttoned over a pristine white dress shirt with grey trim at the collar and no tie on. Togetherness: She posed on the red carpet both alone and with her husband of two years, the 7.

Richard Lawson, who'd slipped into a silver suit and white dress shirt. Swank: Tina, mother of Beyonce and Solange, was a showstopper at the star- studded affair, having slid into a tight, patterned green and purple dress. Ready for the revelry: The couple also leaned in toward each other, smiling for the cameras, once they'd found their way to their table in the event and settled into chairs next to each other. The dapper Academy Award winner, who's recently given a villainous turn in this summer's Baby Driver, completed his ensemble with a glinting pair of black shoes.

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He also at the event got in a bit of hobnobbing with Rodney Peete, who'd worn a black- trimmed midnight blue tuxedo, and Rodney's wife Holly Robinson Peete. Holly showed off a bit of cleavage in her black full- sleeved outfit, which was glistening above the waist, and she'd wound her hair into an elaborate updo. Dashing: Phone in hand, Jamie Foxx was photographed treading the carpet in a navy suit buttoned over a pristine white dress shirt with grey trim at the collar and no tie on. Looking fabulous: The dapper Academy Award winner, who's recently given a villainous turn in this summer's Baby Driver, completed his ensemble with a glinting pair of black shoes. Mingling: He also at the event got in a bit of hobnobbing with Rodney Peete, who'd worn a black- trimmed midnight blue tuxedo, and Rodney's wife Holly Robinson Peete. LL Cool J, who according to the foundation's website is one of its 'Honorees' for this year, beamed as he walked the red carpet with Simone Smith, his wife of 2. The Queens- born rap star had popped a black pageboy cap on his head, complementing the Oxford blue suit he'd worn with a matching tie and white shirt.

Music for many moods. Contemporary classical style compositions in midi, mp3, and sheet music formats by David Rubenstein. Read the Empire review of Beauty And The Beast (2017). Find out everything you need to know about the film from the world's biggest movie destination. And now, finally, Squall is dead. We see a white feather fall to the ground, and the screen fades to black. The last ten minutes of the FFVIII ending movie are, in. Though it was overlooked during the busy summer movie schedule of 1986, Fred Dekker’s Night of the Creeps has gone on to become a quintessential cult classic. A.

Sugar Ray Leonard had his fists up and a cheeky grin on his face when he was photographed in a charcoal suit, a sky blue tie and a paler blue pocket square. Still going strong: LL Cool J, who according to the foundation's website is one of its 'Honorees' for this year, beamed as he walked the red carpet with Simone Smith, his wife of 2. Put 'em up: Sugar Ray Leonard had his fists up and a cheeky grin on his face when he was photographed in a charcoal suit, a sky blue tie and a paler blue pocket square. Decked out: John Starks had worn a simple charcoal suit with a midnight blue and slightly sheeny tie, whilst Gary Payton's silver suit shone under the light. Jane Seymour had pulled on a frilly coral dress with a curving hem slightly above the knee and a sloping neckline that dipped far enough for a generous view of cleavage.

John Starks had worn a simple charcoal suit with a midnight blue and slightly sheeny tie, whilst Gary Payton's silver suit shone under the lights, his yellow and blue checked tie matching the pocket square he'd added to the ensemble. The onstage revelry included a sunglasses- wearing Ice Cube passing off an elegant apparently glass trophy over to LL Cool J, both men grinning all the while. Hello, gorgeous: Whilst inside the event, Anthony Anderson was photographed cutting a dashing figure whilst dressed in a pale grey lightly checked suit over a navy blue T- shirt. Summery chic: Jane Seymour had pulled on a frilly coral dress with a curving hem slightly above the knee and a sloping neckline that dipped far enough for a generous view of cleavage.

Johnny Bench was another of the 'Honorees,' per that foundation website, and he stood with his trophy onstage amid a group comprised of David Fizdale, Eddie Murray, Dave Winfield, Dana Pump and David Pump. Jamie was also seen having taken the stage, standing beside a blonde in a slinky black dress as he pointed out into the audience with his microphone- holding hand.

Whilst inside the event, Anthony Anderson was photographed cutting a dashing figure whilst dressed in a pale grey lightly checked suit over a navy blue T- shirt. Handover: The onstage revelry included a sunglasses- wearing Ice Cube passing off a trophy over to LL Cool J, one of the foundation's 'Honorees' this year, per its website. Sextet: Johnny Bench (third from left) was another of the 'Honorees,' per that foundation website, and he stood with his trophy onstage amid a group comprised of (from left) David Fizdale, Eddie Murray, Dave Winfield, Dana Pump and David Pump. Having a laugh: Jamie was also seen having taken the stage, standing beside a blonde in a slinky black dress as he pointed out into the audience with his microphone- holding hand.

Secret in Their Eyes': Film Review. With its undertow of melancholy and obsession, the 2. Argentine drama El Secreto de Sus Ojos put a haunting spin on the policier, at the same time evoking a dark chapter in the country’s history. Juan Jose Campanella’s compelling, if overpraised, Oscar winner receives a smart Hollywood update from writer- director Billy Ray, who strips away the earlier film’s literary romanticism to fashion a harder- edged thriller.

Like the original, Secret in Their Eyes occupies the fraught territory between crime and punishment, political exigencies and justice. It can be both as gripping and as lacking in nuance as its predecessor, and though it often feels more like a highly polished TV procedural than a transporting cinematic experience, it’s a solid genre outing with unsettling topical resonance. The starry cast and provocative twists should give the movie theatrical staying power. As the second release from STX Entertainment, after The Gift, it’s a sound example of the medium- budget productions led by name actors that are the fledgling studio’s mandate — and, if nothing else, a refreshing departure from the year- end deluge of self- conscious “prestige” pictures.

Ray (Shattered Glass, Captain Phillips) makes a couple of crucial alterations to the source material that are likely to deepen its impact for U. S. viewers — or at least push complicating emotional buttons. The young woman whose murder sets the story in motion isn’t a random victim but the daughter of DA investigator Jess Cobb (an aggressively deglammed Julia Roberts, delivering her strongest performance in years). Jess is part of the law- enforcement triangle at the core of the movie — a trio defined by career rather than love, although romantic longing plays into it too. Read more Julia Roberts Meets 9 Other Women Named Julia Roberts, Is Thanked for a "Fabulous Life"On the earlier side of the story’s interwoven double time frame, FBI investigator Ray Kasten (Chiwetel Ejiofor), deputy district attorney Claire Sloan (Nicole Kidman) and Jess meet as young hotshots on an anti- terrorism task force in Los Angeles. It’s a mere four months since the attacks of 9/1. Ray’s shrewdest decision.

Where Campanella evoked Argentina’s so- called Dirty War against leftists and its effect on day- to- day law enforcement, Ray effectively conjures an atmosphere of paranoia that will be familiar to many viewers. The certainty that Los Angeles would be the next target of terrorist violence was all but palpable in early 2.

Roberts’ Jess, the embodiment of accusatory grief, can only circle the investigation of her daughter’s murder. Because the body is found near a mosque that’s under surveillance, the case involves Kasten and Claire. The attraction between them, impassioned working- class detective and icy Harvard beauty, is more manufactured by plot than fully felt, but that’s less of a problem than it might be; the characters’ unspoken romantic feelings aren’t pivotal here, as they are in the Argentine feature. More essential is the way Claire and Kasten are affected when their investigation proves to be in vain, despite overwhelming evidence against their suspect (Joe Cole, duly unsavory). Evidence isn’t enough because he’s a prized federal informant, protected by task force chief Morales (Alfred Molina), single- minded to the point of outright criminality, and his surly cohort (Michael Kelly). Morales, who has no time for lowly murder cases when he sees a sleeper cell within reach, is a character who, in some of the film’s most heavy- handed sequences, hits the nail too squarely on the head.

Read more Julia Roberts Talks 'Secret in Their Eyes' at L. A. Premiere. But Ray and his designers build a subtler, more convincing picture through background detail: the installation of closed- circuit cameras on L.

A. streets, the proliferation of flag pins on the lapels of government employees. Online Walking Dead Season 5 Episode 14 Spend. From the opening moments in a late- night office to the chilling denouement in the suburbs, lived- in design elements enrich the characterizations, and the trauma of one time period bleeds into the other.

The story’s second time period, 1. Kasten is no longer with the FBI but never has forsaken the cold case, the movie gradually revealing the reasons for his extraordinary resolve. Claire, now the DA and frostier than ever, is reluctant to reopen the files when he presents new information, while the formerly feisty Jess has become a wraith with dulled eyes, uninterested in digging up the past. The cinematographer, Daniel Moder, may be Roberts’ husband, but he affords her no special- treatment lighting or lens work for her portrayal of a character who’s the antithesis of vanity. As Ray and editor Jim Page shift the narrative back and forth between past and present, the actors deftly embody the toll of time, with key assists from the costume, hair and makeup teams. It’s the difference between youthful idealism and middle- age pragmatism, to the nth degree. For Ejiofor and Roberts’ characters, the passage of those 1.

In pitch- perfect contrast, the facial features of Kidman’s Claire, a rising star who’s circumspect and politic, have a gravity- defying, masklike containment. Even when exposing Claire’s deeper feelings, Kidman maintains a suitably cool affect.

For his part, Ejiofor persuasively navigates his high- energy character’s balancing act between guilt and duty. But it’s Roberts’ Jess, with her unwieldy pain, who holds the center of this crime drama, the suspense churning around her as one character after another devises ways to cross lines and break rules. Read more Julia Roberts Commends Jennifer Lawrence's Gender Pay- Gap Essay: "I Love That She's Stirring Things Up"From City Hall to a chop shop on the fringes of downtown, the use of Los Angeles locations is especially astute, with the Santa Anita racetrack and Dodger Stadium providing terrific color and texture in two set- piece sequences. Tracking a needle- in- the- haystack search, Moder’s camera swoops into the latter venue from overhead, the suggestion of destiny soon giving way to a breathless chase in which the men with badges (Ejiofor and Dean Norris) are anything but superhuman. Nobody here is, of course.

In obsessive pursuit they stumble, just as surely as they find a reason to get up. Production companies: STX Entertainment, IM Global, Route One Films, Gran Via Productions, Ingenious Media.