In filmografia, benché il capostipite del genere sia considerato Halloween - La notte delle streghe di John Carpenter, esistono anche altri film precedenti che. Martin Charles Scorsese (/ s k ɔːr ˈ s ɛ s i /; Italian: [skorˈseːze]; born November 17, 1942) is an American director, producer, screenwriter, and film. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get.

Martin Scorsese - Wikipedia. Martin Charles Scorsese[1] (; [2]Italian: [skorˈseːze]; [note 1] born November 1. American director, producer, screenwriter, and film historian, whose career spans more than 5. Scorsese's body of work addresses such themes as Sicilian- American identity, Roman Catholic concepts of guilt and redemption,[7]faith,[8]machismo, modern crime, and gang conflict. Many of his films are also known for their depiction of violence and liberal use of profanity.

Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinematic history. In 1. 99. 0, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2. World Cinema Foundation. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and DGA Awards. He has directed works such as the crime film Mean Streets (1.

Taxi Driver (1. 97. Raging Bull (1. 98. The King of Comedy (1. The Last Temptation of Christ (1.

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Goodfellas (1. 99. Cape Fear (1. 99. Casino (1. 99. 5), some of which he collaborated on with actor and close friend Robert De Niro.[9] Scorsese has also been noted for his successful collaborations with actor Leonardo Di.

Caprio, having directed him in five films, beginning with Gangs of New York (2. The Wolf of Wall Street (2. Their third film together, The Departed, won Scorsese the Academy Award for Best Director in addition to the film winning the award for Best Picture. Their collaborations have resulted in numerous Academy Award nominations for both as well as them winning several other prestigious awards. Scorsese's other film work includes the concert film The Last Waltz (1. After Hours (1. 98.

The Aviator (2. 00. Shutter Island (2. Watch Life Of Crime Streaming here. Hugo (2. 01. 1) and the religious epic Silence (2. His work in television includes the pilot episode of the HBO series Boardwalk Empire and Vinyl, the latter of which he also co- created. He won the Academy Award for Best Director for the crime drama The Departed (2. With eight Best Director nominations, he is the most nominated living director and is tied with Billy Wilder for the second most nominations overall. Early life[edit]Scorsese was born in Queens, New York.

His family moved to Little Italy, Manhattan, before he started school.[1. His father, Charles Scorsese, and mother, Catherine Scorsese (born Cappa), both worked in New York's Garment District. His father was a clothes presser and an actor, and his mother was a seamstress and an actress.[1. His father's parents emigrated from Polizzi Generosa, in the province of Palermo, Sicily, and his maternal grandparents were also from Palermo, precisely from Ciminna. Scorsese was raised in a devoutly Catholic environment.[3] As a boy, he had asthma and could not play sports or do any activities with other children, so his parents and his older brother would often take him to movie theaters; it was at this stage in his life that he developed a passion for cinema. As a teenager in the Bronx, Scorsese frequently rented Powell and Pressburger's The Tales of Hoffmann (1. Scorsese was one of only two people who regularly rented that reel.

The other was future Night of the Living Dead director George A. Romero.[1. 2]Scorsese has cited Sabu and Victor Mature as his favorite actors during his youth. He has also spoken of the influence of the 1. Powell and Pressburger film Black Narcissus, whose innovative techniques later impacted his filmmaking.[1. Enamored of historical epics in his adolescence, at least two films of the genre, Land of the Pharaohs and El Cid, appear to have had a deep and lasting impact on his cinematic psyche. Scorsese also developed an admiration for neorealist cinema at this time. He recounted its influence in a documentary on Italian neorealism, and commented on how Bicycle Thieves alongside Paisà, Rome, Open City inspired him and how this influenced his view or portrayal of his Sicilian roots.

In his documentary, Il Mio Viaggio in Italia, Scorsese noted that the Sicilian episode of Roberto Rossellini's Paisà, which he first saw on television alongside his relatives, who were themselves Sicilian immigrants, made a significant impact on his life.[1. He acknowledges owing a great debt to the French New Wave and has stated that "the French New Wave has influenced all filmmakers who have worked since, whether they saw the films or not."[1. He has also cited filmmakers including Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Federico Fellini as a major influence on his career.[1. His initial desire to become a priest,[2. Cardinal Hayes High School in the Bronx gave way to cinema and consequently, Scorsese enrolled in NYU's Washington Square College (now known as the College of Arts and Science), where he earned a B.

A. in English in 1. He went on to earn his M. F. A. from NYU's School of the Arts (now known as the Tisch School of the Arts) in 1. Early career[edit]Scorsese attended New York University's Tisch School of the Arts (B. A., English, 1. 96. M. F. A., film, 1. What's a Nice Girl Like You Doing in a Place Like This?

It's Not Just You, Murray! His most famous short of the period is the darkly comic The Big Shave (1. Peter Bernuth. The film is an indictment of America's involvement in Vietnam, suggested by its alternative title Viet '6. Scorsese has mentioned on several occasions that he was greatly inspired in his early days at New York University by his Armenian American film professor Haig P. Manoogian. In 1. 96. Scorsese made his first feature- length film, the black and white I Call First, which was later retitled Who's That Knocking at My Door with his fellow students actor Harvey Keitel and editor Thelma Schoonmaker, both of whom were to become long- term collaborators.

This film was intended to be the first of Scorsese's semiautobiographical J. R. Trilogy, which also would have included a later film, Mean Streets. Scorsese became friends with the influential "movie brats" of the 1. Brian De Palma, Francis Ford Coppola, George Lucas and Steven Spielberg.[5] It was Brian De Palma who introduced Scorsese to Robert De Niro. During this period he worked as the assistant director and one of the editors on the documentary Woodstock (1.

John Cassavetes, who would also go on to become a close friend and mentor. In 1. 97. 2, Scorsese made the Depression- era exploiter Boxcar Bertha for B- movie producer Roger Corman, who also helped directors such as Francis Ford Coppola, James Cameron, and John Sayles launch their careers.[2. It was Corman who taught Scorsese that entertaining films could be shot with very little money or time, preparing the young director well for the challenges to come with Mean Streets. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects. Championed by influential film critic Pauline Kael, Mean Streets was a breakthrough for Scorsese, De Niro, and Keitel. By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of Mean Streets was actually shot in Los Angeles), rapid- fire editing and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street- level direction owed a debt to directors Cassavetes, Samuel Fuller and early Jean- Luc Godard.[2.

In 1. 97. 4, actress Ellen Burstyn chose Scorsese to direct her in Alice Doesn't Live Here Anymore, for which she won an Academy Award for Best Actress. Although well regarded, the film remains an anomaly in the director's early career as it focuses on a central female character.

David Horowitz - Wikipedia. David Joel Horowitz (born January 1. American conservative writer. He is a founder and current president of the think tank the David Horowitz Freedom Center; editor of the Center's publication, Front. Page Magazine; and director of Discover the Networks, a website that tracks individuals and groups on the political left. Horowitz also founded the organization Students for Academic Freedom. Horowitz has written several books with author Peter Collier, including four on prominent 2.

American political families that had members elected to the presidency. He and Collier have collaborated on books about current cultural criticism. Horowitz has also worked as a columnist for Salon.

Its then- editor Joan Walsh described him as a "conservative provocateur".[2]From 1. Horowitz was an outspoken adherent of the New Left. He later rejected liberal and progressive ideas completely and has since become a proponent of conservatism.

Horowitz has recounted his ideological journey in a series of retrospective books, culminating with his 1. Radical Son: A Generational Odyssey. Family background[edit]Horowitz is the son of Phil and Blanche Horowitz, who were high school teachers.

His father taught English and his mother taught stenography.[3] During years of labor organizing and the Great Depression, Phil and Blanche Horowitz were long- standing members of the American Communist Party and strong supporters of Joseph Stalin. They left the party after Khrushchev published his report in 1. Stalin committed" and terrorism of the Soviet populations.[4][5]According to Horowitz: Underneath the ordinary surfaces of their lives, my parents and their friends thought of themselves as secret agents.

The mission they had undertaken, and about which they could not speak freely except with each other, was not just an idea to them. It was more important to their sense of themselves than anything else they did. Nor were its tasks of a kind they could attend or ignore, depending on their moods. They were more like the obligations of a religious faith. Except that their faith was secular, and the millennium they awaited was being instituted, at that moment, in the very country that had become America's enemy. It was this fact that made their ordinary lives precarious and their secrecy necessary. If they lived under a cloud of suspicion, it was the result of more than just their political passions.

The dropping of the atomic bomb on Hiroshima had created a terror in the minds of ordinary people. Newspapers reported on American spy rings working to steal atomic secrets for the Soviet state. When people read these stories, they inevitably thought of progressives like us.

And so did we ourselves. Even if we never encountered a Soviet agent or engaged in a single illegal act, each of us knew that our commitment to socialism implied the obligation to commit treason, too.[6]After the death of Stalin in 1. Phil Horowitz, commenting on how Stalin's numerous official titles had to be divided among his successors, told his son, "You see what a genius Stalin was. It took five men to replace him."[7] According to Horowitz: The publication of the Khrushchev Report was probably the greatest blow struck against the Soviet Empire during the Cold War] When my parents and their friends opened the morning Times and read its text, their world collapsed—and along with it their will to struggle. If the document was true, almost everything they had said and believed was false. Their secret mission had led them into waters so deep that its tide had overwhelmed them, taking with it the very meaning of their lives.[8]Horowitz received a BA from Columbia University in 1. English, and a master's degree in English literature at University of California, Berkeley.[9]Career with the New Left[edit]After completing his graduate degree in the late 1.

Horowitz lived in London and worked for the Bertrand Russell Peace Foundation.[1. He identified as a serious Marxist intellectual. In 1. 96. 6, Ralph Schoenman persuaded Bertrand Russell to convene a war crimes tribunal to judge United States involvement in the Vietnam War.[1.

Horowitz would write three decades later that he had political reservations about the tribunal and did not take part. He described the tribunal's judges as formidable, world- famous and radical, including Isaac Deutscher, Jean- Paul Sartre, Stokely Carmichael, Simone de Beauvoir, James Baldwin, and Vladimir Dedijer.[1. While in London, Horowitz became a close friend of Deutscher, and wrote a biography of him which was published in 1. Horowitz wrote The Free World Colossus: A Critique of American Foreign Policy in the Cold War.

In January 1. 96. Horowitz returned to the United States, where he became co- editor of the New Left magazine Ramparts, based in northern California.[1. During the early 1.

Horowitz developed a close friendship with Huey P. Newton, founder of the Black Panther Party. Horowitz later portrayed Newton as equal parts gangster, terrorist, intellectual, and media celebrity.[1. As part of their work together, Horowitz helped raise money for, and assisted the Panthers with, the running of a school for poor children in Oakland. He recommended that Newton hire Betty Van Patter as bookkeeper; she was then working for Ramparts. In December 1. 97. Van Patter's body was found floating in San Francisco Harbor; she had been murdered.

Horowitz has said he believes the Panthers were behind the killing.[1. In 1. 97. 6, Horowitz was a "founding sponsor" of James Weinstein's magazine In These Times.[1. Writing on the Right[edit]Following this period, Horowitz rejected Karl Marx and socialism, but kept quiet about his changing politics for nearly a decade. In early 1. 98. 5, Horowitz and longtime collaborator Peter Collier, who also became a political conservative, wrote an article for The Washington Post Magazine entitled "Lefties for Reagan", later retitled as "Goodbye to All That". The article explained their change of views and recent decision to vote for a second term for Republican President Ronald Reagan.[1. In 1. 98. 6, Horowitz published "Why I Am No Longer a Leftist" in The Village Voice.[2.

In 1. 98. 7, Horowitz co- hosted a "Second Thoughts Conference" in Washington, D. C., described by Sidney Blumenthal in The Washington Post as his "coming out" as a conservative. According to attendee Alexander Cockburn, Horowitz related how his Stalinist parents had not permitted him or his sister to watch the popular Doris Day and Rock Hudson movies of his youth. Instead, they watched propaganda films from the Soviet Union.[2. In May 1. 98. 9, Horowitz, Ronald Radosh, and Peter Collier travelled to Poland for a conference in Kraków calling for the end of Communism.[2. After marching with Polish dissidents in an anti- regime protest, Horowitz spoke about his changing thoughts and why he believed that socialism could not create their future.

He said his dream was for the people of Poland to be free.[2. In 1. 99. 2, Horowitz and Collier founded Heterodoxy, a monthly magazine focused on exposing what it described as excessive political correctness on United States college and university campuses.

It was "meant to have the feel of a samizdat publication inside the gulag of the PC [politically correct] university". The tabloid was directed at university students, whom Horowitz viewed as being indoctrinated by the entrenched Left in American academia.[2. Watch The Yards Instanmovie.

He has maintained his assault on the political left to the present day, writing in his memoir, Radical Son, that universities were no longer effective in presenting both sides of political arguments. He stated that "left- wing professors" had created "political terror" on campuses.[2. Watch Arabian Nights Online (2017). In a column in Salon[2] he described his opposition to reparations for slavery, stating it represented racism against blacks, as it defined them only in terms of having descended from slaves.