Movies On Netflix Too Disturbing To Watch. Whether you love a gore- fest, a psychological horror, or something a little more light- hearted, Netflix has you covered for horror content. Yet, with so many movies on the streaming service, it can be difficult to pick your preferred helping of scares off the menu when you settle in for a movie night. Watch Foxcatcher Youtube. Watch Convict Online Free 2016 on this page.

Items on Netflix are constantly changing and updating, making it is impossible to come up with a definitive list of their horror movies. Trimming down the fantastic range of frightening content in their subcategories is a task. That’s where we come in. If you like your movies to leave an unsettling impression on you and you haven’t already managed to get through all these gut- wrenching offerings, put aside a day to check them out. For skin- crawling scares, grab some popcorn, switch off the lights and settle down to watch these movies currently available on the streaming service. Or perhaps leave the lights on. Some of these troubling stories will make it impossible to sleep without them.

Other will leave you itching for a shower. Here are 1. 5 Movies On Netflix Too Disturbing To Watch. Hush (2. 01. 6)It is easy to dismiss Hush as yet another home invasion thriller.

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Directed and edited by Mike Flanagan, who debuted with Oculus in 2. Hush raises itself above the clichés to deliver a claustrophobic thriller.

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It stars Kate Siegel, who co- wrote the piece with Flanagan, as Maddie. A deaf author, Maddie has moved to a remote location to avoid distractions and finish her book. One night, she settles in to write, unaware that outside there waits a heavily- armed, masked intruder poised to break in. What follows is a clever cat- and- mouse chase which will keep viewers on the edge of their seats. Maddie is a resourceful protagonist but she is not unrealistic. The film manages to deliver the correct ratio of gore and suspense to frighten but not desensitize. It leaves the viewer to wonder if they would fare as well given a similar desperate situation.

You’ll definitely check your doors are locked after watching this one. Hostel (2. 00. 5)Eli Roth’s brutal 2.

Hostel is a slightly older entry on this list but one that has boasted an unexpected durability. Best buddies Josh and Paxton spend the summer after graduation on a hedonistic backpacking tour of Europe. In Amsterdam, they meet Oli, an Icelandic traveler who shares the boys’ penchant for sex and drugs. Drawn in by enticing rumors of a Slovakian hostel filled with all their favorite vices, the three travel even further in search of women and thrills.

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What they actual find is a slaughterhouse, one they cheerfully walk into in pursuit of beautiful women. Inside, rich denizens pay to fulfill their darkest torture fantasies – and Josh and Paxton are the entertainment. The plot really is that simple. While watching the three dumb thrill- seekers undergo bone- crunching, eye- popping violence, the audience is placed in an odd position. The trio are unlikable but no one deserves that sort of abuse. Hostel is an exercise in how much gore the audience can endure as much as it is about how much torture the characters can take. Would You Rather (2.

Would You Rather is a movie that might make you think twice about playing that particular party game ever again. Director David Guy Levy’s twisted horror sees a sadistic millionaire force dinner guests to play a sick version of the game for large sums of money. The lead character is Iris, a young woman who cares for her seriously ill brother and desperately needs the offered money to pay for her brother’s medical treatment. At first, Shepard’s dilemmas are nasty but relatively harmless.

For example, making Iris, a vegetarian, eat a steak for a large amount of cash. Then the options become incredibly violent – forcing contestants to torture themselves or each other. From electric shocks to stabbing, to slicing eyeballs, the film is a well- staged slaughter- fest. With a surprisingly low level of gore, the real chills come from following each person’s fatal decision- making process and wondering what you would do in the same situation. I am the Pretty Thing that Lives in the House (2.

An American- Canadian horror, I am the Pretty Thing That Lives in the House is a ghost story within a ghost story. Starring is Ruth Wilson as Lily, a live- in nurse looking after an elderly lady with dementia. She becomes convinced the house is haunted. The opening frames are artful and chilling with a female voice- over speaking to the audience.

The next frame reveals that the voice belongs to Lily and she lets us know, “three days ago I turned 2. I will never be 2. With Ruth’s fate sealed in the eyes of the audience, it is difficult to not jump at every shifting shadow and creaking floorboard in the isolated manor where she now works. Mrs. Bloom, the elderly lady she cares for, was once a prolific author and keeps calling Lily “Polly” after a doomed heroine in her novel, The Lady in the Walls. If you have the patience for horrors which offer a more cerebral and languid storytelling atmosphere then this is one to check out. Creep (2. 01. 4)Creep is a found footage horror and the directorial debut of Patrick Brice.

The genre is at time a sadly overdone shock trope, but Creep offers an unexpectedly fresh take. The protagonist is a filmmaker who is short of cash and answers a Craigslist ad offering $1. He arrives at a remote cabin to document the life of an odd recluse who appears friendly but as the day goes on is revealed to be less sincere. Chilling in its simplicity, it is well- acted enough to feel uncomfortably realistic. The film- making technique lends itself to a truly personal horror and the interplay between the two main players is intense. There are no fast- paced thrills in this film but the last scene is worth waiting for.

Under the Shadow (2. Under the Shadow is an internationally co- produced horror film written and directed by Iranian- born Babak Anvari. Shideh (Narges Rashidi) is a young mother and medical student, living in 1. Tehran with her daughter, Dorsa (Avin Manshadi). She struggles to hold her life together as the Iran- Iraq war rages around her.

Set against this cruel war- torn backdrop, Shideh becomes convinced that a missile which fell on their home was cursed and that a supernatural force is attempting to possess her daughter. Whether you believe the demons are real or represent the horrors of war, the movie still delivers some nail- biting scares. It takes the traditional supernatural horror tropes and places them in a setting which makes it all the more grueling and visceral.

It’s an intelligent story that challenges even as it frightens. The Invitation (2. The Invitation is an elegant and tense drama with a simple premise. Will (Logan Marshall- Green) accepts an invitation to a dinner party at his former home by his ex- wife and her new partner. The party includes some new faces, who the hosts met in Mexico while visiting a community that helps you deal with trauma.

They come across as a little unusual, but largely harmless. Will is convinced there’s something wrong, however, and the incredible tension of the movie comes from waiting for him to be proven right – or wrong.

Karyn Kusama’s helping of emotive horror is praised for treating its audience like adults. Most unsettling due to its grounding in a relatable reality, the film take the audience on a psychological journey, exploring themes of grief and loss. The atmosphere is definitely a slow burn but the whole set- up is disconcerting. It would spoil the surprise to reveal too much so make sure to watch it before you read all the spoilers. The Babadook (2. 01.

Plagued by her husband’s tragic death, a single mother struggles with her young son’s erratic behavior as he truly begins to think a monster from a children’s book lurks in their house. This Australian psychological horror is Jennifer Kent’s directorial debut. The Babadook manages to avoid almost all horror clichés but it is not for everyone.

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